正版资源Arturia Delay MEMORY-BRIGADE v1.0.0.8646 [MacOSX]
BBD 滤波延迟用在合成器、吉他与氛围音层 BBD 在 70 年代被大量效果器采用,chorus 和 flange 因此变得紧凑可靠,但它最出名的还是滤波 lo-fi delay。放进工程时,这类声音会自然削掉重复声的高频,尾音偏暗,不会像数字延迟那样把高频细节一遍遍复制出来。对电子音乐里的合成器
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BBD 滤波延迟用在合成器、吉他与氛围音层
BBD 在 70 年代被大量效果器采用,chorus 和 flange 因此变得紧凑可靠,但它最出名的还是滤波 lo-fi delay。放进工程时,这类声音会自然削掉重复声的高频,尾音偏暗,不会像数字延迟那样把高频细节一遍遍复制出来。对电子音乐里的合成器 lead、pad、拨弦音色,它可以做短促的加厚,也可以做偏长的空间尾音;对配乐里的吉他、电钢琴和氛围音层,它更像一种音色染色,而不是单纯的节奏延迟。曲风上,合成器流行、lo-fi 电子、氛围配乐和带复古取向的吉他轨都比较容易用上它。
- 放在插入位时,先确认干声比例,避免滤波后的重复声盖住原始瞬态。
- 放在发送位时,把发送量当作音色层来推,不要只当空间效果。
- 需要 chorus 或 flange 质感时,把它用在较短的延迟设置上,注意与声像和宽度处理配合。
Mac 宿主里的 AU/VST3 接入与发送式串联
插件提供 AU、VST、VST3、AAX,MacOSX 下的常见宿主可以按自己的格式偏好接入。实际工程里,建议先单独建一条效果返回轨,把 MEMORY-BRIGADE 放在返回链的前段,后面再接均衡或饱和,这样滤波延迟的暗色尾音不会和总线处理打架。如果用在插入位,注意它前面的压缩和失真:BBD 延迟会把重复声的高频压暗,前级越脏,尾音越容易糊成一片。需要干净一点时,把返回轨的干声留足,让原始音色保持清晰;需要更旧的味道时,再让返回轨多承担一些染色。配乐工程里也可以把它挂在少量音层上,而不是整条总线,方便后期单独调整延迟的明暗和占比。
![Arturia Delay MEMORY-BRIGADE v1.0.0.8646 [MacOSX]](https://www.audioba.com/wp-content/uploads/2019/11/image-408.png)
CASHMERE | 18 November 2019 | AU/VST/VST3/AAX | 345 MB
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Delay MEMORY-BRIGADE is Arturia’s love letter to the legendary BBD – or “bucket brigade device” – that created a revolution in time-based modulation effects. During the 70s, more and more audio effects turned to the compact, reliable BBD technology to create chorus and flange effects, but it really shined in creating an iconic, filtered lo-fi delay sound that’s still loved by musicians and music lovers to this day.
One of the first, and certainly the greatest BBD delays was the Memory Man, and the slightly redesigned Deluxe Memory Man created by effects pioneers Electro-Harmonix in the mid-70s. Guitarists and record engineers loved its unique sound: a dark, filtered bark that was worlds apart from traditional tape delays. We based the Delay MEMORY-BRIGADE on this legendary pedal, so you can enjoy its driven feedback and “rusty” tone in your own productions.
Using our exclusive TAE® and Phi® modelling technologies, we have analyzed many classic BBD circuits that made this effect so famous, and created an authentic, analog-sounding tribute to these vintage legends.
The legendary Electro-Harmonix pedal has been used by countless famous and influential musicians for over half a century, from guitar royalty to experimental producers alike. It’s graced the pedalboards of Dave “The Edge” Evans, Omar Rodríguez-López, Dave Grohl, Joe Perry, and Eric Johnson. It’s essential to the production of electronic artists like Tobacco and KiNK. It’s adored by contemporary visionaries like Jack Conte and Feist. How will you use this awesome BBD?
Note:
Some notes about the plugins – testing in Ableton Live 10 some of the VST3 plugins crash when you delete them from a track, this is a problem for legit users too. VST and AU are not affected despite the AU wrapping the VST3 plugin – more reason to just switch to AU full time so you can use Live 10.1.4 too. AAX is working as it is wrapping the VST3 in Library/Arturia/PRODUCT NAME. Do not remove Arturia Software Center. Make sure to read instructions carefully – CASHMERE



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