正版资源复古的 P 型电贝司Orange Tree Samples – Evolution Flatwound Bass v1.3.5
Orange Tree Samples – Evolution Flatwound Bass v1.3.5 是一套基于 Kontakt 的复古 P 型电贝司音源,核心用途很明确:在工程里补上一条音色偏暗、厚度足够的电贝司线,替代那些一出声就太现代、太亮的采样贝司。它配备平绕弦,整体走向是深沉饱满,而
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Orange Tree Samples – Evolution Flatwound Bass v1.3.5 是一套基于 Kontakt 的复古 P 型电贝司音源,核心用途很明确:在工程里补上一条音色偏暗、厚度足够的电贝司线,替代那些一出声就太现代、太亮的采样贝司。它配备平绕弦,整体走向是深沉饱满,而不是 slap 或主动电路那种锋利感。音色由 Evolution 团队与犹他州的 Rosewood Recording Company 合作完成,录音师 Guy Randle 用模拟设备处理,既保留了直录信号,也提供了经过放大的信号,这一点对后期混音很关键。
直录与放大两路信号:给混音留出选择
这套音源在信号层面提供的不只是一条成品音色。直录信号干净、瞬态清楚,适合需要控制低频、把贝司压得很紧的编曲;放大后的信号带有设备染色,中低频更蓬松,放在复古取向的段落里更容易“坐进去”。实际使用时可以按曲风取舍:灵魂乐、摩城味道的曲子偏向放大信号,乡村和慢歌则常用直录打底。
- 低频较重,编曲里要给贝司留出频段,别让底鼓和贝司抢同一块。
- 平绕弦的高频延伸有限,如果曲子需要明亮颗粒,靠均衡或并联失真补,不要硬提采样本身。
- 库体约 3.77 GB,装之前先确认硬盘空间和采样流设置。
演奏者背景与它适合的曲风
这套音色的演奏采样来自录音室乐手罗布。他参与录制过大量 CD、电影原声带、电视广告和电视节目,曾与唐尼和玛丽一起巡演,也担任过伊诺克·特雷恩乐队的贝斯手;同时他是编曲和词曲作者,为丽芭·麦金泰尔的出版公司“星光作家集团”写歌,作品被钻石里奥乐队、菲丝·希尔等艺人翻唱,其中《Norma Jean Riley》登上排行榜榜首,并被《广播与唱片》杂志评为年度最佳乡村歌曲。这段履历解释了它的手感取向:线条稳、留白多,适合乡村、复古流行、灵魂乐与配乐里的底层支撑,而不是炫技型独奏。
运行环境方面,官方标注需要 Kontakt 5.7.0 以上,支持 Kontakt Player,授权为完整版,不必额外购买完整版 Kontakt 就能打开。放进工程时建议先用它写完整段落的根音与经过音,再考虑加花;这类偏暗的贝司一旦音符过密,反而会糊掉整首歌的中低频。
![图片[1]-乐声音频-资源网](https://lsypstudio.com/wp-content/uploads/2026/10/image-87.png)
- 下载 Orange Tree Samples – Evolution flatwound bass 1.3.5 full+update (KONTAKT)
- 原出版商:橙树出版社
- 版本:v1.3.5
- 类别:Kontakt音色库、声音库
- 要求:Kontakt (5.7.0+)、Kontakt 播放器
- 许可证类型:完整版
- 下载大小:3.77 GB
Evolution Flatwound Bass 是 一款复古的 P 型电贝司,配备平绕弦,音色深沉饱满。这款贝司由 Evolution 与犹他州最受尊敬的录音棚之一 Rosewood Recording Company 合作打造。Rosewood Recording Company 的老板兼录音师Guy Randle使用模拟音频设备,巧妙地展现并突出了这款乐器丰富的音色特质,既保留了原始的直录信号,也提供了放大后的信号。
作为一名录音室乐手, 罗布 参与录制了大量的CD、电影原声带、电视广告和电视节目。他曾与 唐尼和玛丽一起巡演 ,也曾担任 伊诺克·特雷恩乐队的贝斯手。 罗布 还是一位技艺精湛的编曲家和词曲作家。他曾为丽芭·麦金泰尔的出版公司“星光作家集团”(Starstruck Writer’s Group)创作歌曲。他的歌曲被钻石里奥乐队、歌手菲丝·希尔以及许多其他艺术家翻唱。他的歌曲 《诺玛·简·莱利》(Norma Jean Riley)荣登排行榜榜首,并被《广播与唱片》(Radio & Record)杂志评为年度最佳乡村歌曲。
Evolution Flatwound Bass 基于我们的 Evolution 引擎,为您提供了诸多可能性:灵活的映射系统、可自定义的音色和播放参数,以及强大的效果器。该音色库包含许多即用型预设,涵盖经典和现代的贝斯音色,可完美融入混音。
特征
目录
资源目录9 条
- 内置效果引擎,可即时访问低音音色
- 利用我们获得专利的物理建模技术,可调节拾取位置
- 强大的映射系统,可使用力度范围、MIDI CC、固定和非固定键位开关等参数来设置触发演奏技巧的方式。
- 6.3 GB 样本(使用 NCW 无损音频格式压缩至 2.8 GB)
- 提供延音、闷音、交音和自然短音等演奏技巧,并有拨片和指弹两种版本;此外还有拍击、滑音等效果。
- MIDI 演奏法,包括即时八度音、前奏、颤音、全音滑音、全音颤音以及与力度和速度相关的滑音。
- 滑音、击弦和勾弦的连奏示例
- 采样对象为 3 位说话者,重复 4 次循环测试
- NKS
The Evolution Flatwound Bass is a vintage electric P-style bass equipped with flat-wound strings for a deep and rich tone. in partnership with the Rosewood Recording Company, one of Utah’s most respected recording studios. Guy Randle, the owner and engineer of this company, used analog sound equipment to skillfully convey and emphasize the rich timbral qualities of the instrument, available in the form of the original direct as well as amplified signals.
As a session musician, Rob participated in the recordings of a large number of CDs, film soundtracks, television commercials and programs. He toured with Donny & Marie and was also the bassist for Enoch Train. Rob is also a skilled arranger and songwriter. He worked as a writer for Reeba McIntyre’s publishing company, Starstruck Writer’s Group. His songs were recorded by the band Diamond Rio, singer Faith Hill and many other artists. His song “Norma Jean Riley” became the number one hit and country song of the year by Radio & Record.
Evolution Flatwound Bass is based on our Evolution engine, which gives you a lot of possibilities: a flexible mapping system, customizable tone and playback parameters, and a powerful set of effects. The library contains many ready-to-use presets with classic and modern bass tones that fit perfectly into the mix.
Features
目录
资源目录9 条
- Built-in effects engine for instant access to bass tones
- Adjustable pick position using our patented physical modeling technology
- Powerful mapping system to set the way articulations are triggered using parameters such as velocity ranges, MIDI CC, and non-fixed key switches, and more
- 6.3 GB samples (compressed to 2.8 GB using NCW lossless audio format)
- Articulations such as sustain, palm mute, meet, and natural flageolets available in pick and finger versions, as well as effects such as slap, slides, and more
- MIDI articulations for instant octaves, forschlags, trills, full-step slides, full-step hummer-ons, and slides with reference to velocity and tempo
- Legato samples for slides, hammer-ons, and pull-offs
- Sampled in 3 speakers and 4 round-robin repetitions
- NKS




